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Bill Nelson's Red Noise
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Bill Nelson's Red Noise : ウィキペディア英語版
Bill Nelson's Red Noise

, or more simply , was 's umbrella term for what effectively became a British band, formed by , his brother (saxophone), (keyboards) and (bass), around 1978, briefly employing (drums) before adding (drums).
== History ==
Nelson formed Red Noise after dissolving ,〔 while metamorphosing from , and to more and following the last album , released early 1978. EMI's subsidiary, to whom had been contracted, insisted on his name being added – hence . Clark had also been a member of , while had collaborated on the song (and hit single) from the ' album (1976). Peer was previously in , only joining the band for touring purposes after the album had been recorded (he can be heard on a number of live and studio tracks plus the one track on Nelson's later ). In the studio, Nelson recorded most of the drum parts himself, hiring former drummer for more complex tracks.
released only one album, , plus two singles, and , in February and April 1979.〔 After that, Bill Nelson continued as a solo artist,〔 with Ian frequently collaborating on his brother's recordings throughout the eighties. Clark would later appear, among other places, on "" and other tracks on 's (1980), and "Big Time" and "Don't Give Up" on Peter Gabriel's ''So'' (1986). played with and and now composes soundtrack music for the entertainment industry in California, while is with a band called .
is also considered by some fans as a continuation because of similarity to the emerging electronic character of final studio album, , released the previous year. An interview with in 1979 hints that several of the songs in were written during his days and might have been included in any album subsequent to had that band remained together. However, Nelson also makes clear that he regarded as an escape from rather than its continuation: was the attempt to get the band to change a bit but it was difficult for people to accept." Touring England to promote the album, performed a song from , "Possession." 〔(【引用サイトリンク】url=http://www.youtube.com/watch?v=QooTbF-gQmwe )
In a 1984 interview, Nelson revealed that he had recorded a second album immediately after but that his record company didn't like it: "EMI wouldn't release it, and it sat on the shelf." Nelson's manager eventually purchased some of the unreleased songs back from EMI so that Nelson could release them as a solo artist under his own label, . One of these was , which received generous radio airplay and press coverage for its [http://www.youtube.com/watch?v=KwRZ0HW9-aw original . This track and one on the B-side featured all vocals and instruments by Nelson himself apart from sax by . Two other tracks, and , featured the lineup. This release attracted the attention of who secured the remaining tracks for Cocteau in order to release the full album, credited simply to , on their subsidiary label in 1981. Red Noise had not been originally intended as a band so much as a name under which Nelson could bring in musicians as required without being tied down to a fixed band lineup. However, the commercial pressures of the music business meant that it didn't work out that way. Where only one track on was credited to Red Noise, it clearly referred to the band: "Disposable" featured the lineup. Many other tracks featured both Bill and .
The ''Sound-on-Sound'' album title inspired the publishers of to name their magazine after it. To this day their website has a Bill Nelson Shop section〔(【引用サイトリンク】url=http://www.soundonsound.com/shop/Dept.php?DeptID=17 )〕 in which this musician's independently produced CDs can be bought.

Harvest's 2012 CD reissue of contained not only tracks from single previously unreleased on that format, but also a session from previously unreleased on any format.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Bill Nelson's Red Noise」の詳細全文を読む



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